Bruce Judisch was born in Canton, Ohio. After serving over 21
years in the US Air Force, he settled with his family in San Antonio, Texas. He
and his wife, Jeannie, are parents of three, and grandparents of fourteen.
Bruce loves writing historical fiction, teaching, camping, and playing the
12-string guitar.
Welcome to my blog, Bruce. Please tell us
about your two novels, Katia and For Maria.
First of all,
thanks so much, Linda, for hosting me. I hope I’ll have something of value—and
fun—to leave with your readers. Both books are hybrid contemporary/historical
works, in that they have a modern-day storyline and a parallel mid-20th-century
storyline.
Katia centers on post-WWII and the Cold War
in East Berlin, Germany, and the sequel For
Maria deals with the “Kindertransport,” 1934-1945, during which thousands
of children were saved from concentration camps and fostered overseas to await
reunion with their families. The contemporary storylines in both novels feature
Madeline “Maddy” McAllister, an exchange student in Katia and young journalist in For
Maria. She is the prime driver of the crux events in both stories.
I love historical fiction because I learn so
much about history. Where did you get your inspiration for these books?
Katia was inspired by a scene I witnessed
in Berlin, Germany, in 1989 at the fall of the Berlin Wall. For Maria follows the story of twin
infant girls, briefly introduced in Katia,
as they transit Europe in the Kindertransport.
What kind of research did you do?
Both the
contemporary and historical settings for Katia
were driven by the circumstances surrounding the Berlin Wall, which, of
course, dictated their placement in Berlin. There was some academic research
involved; however, I was eyewitness to many of the events in the story—which
made it easier and a lot of fun to write.
The
historical setting of For Maria is
wide ranging, covering Poland, Austria, France, Spain, Portugal, and the United
States. The contemporary setting takes place in Madeline’s hometown: Saginaw, Michigan, and my hometown, San
Antonio, Texas. I have no idea why I chose Saginaw, other than it stuck with me
after hearing it many years ago in the Paul Simon song, America. Deep, huh?
Research on For Maria was both time intensive and
emotionally exhausting. The greatest joy was befriending some of the alumni of
the Kindertransport I interviewed, now in their 80s. It’s largely their story I
tell.
How long did it take
to write the book, including preliminary work?
Amazingly, I
wrote the first draft of Katia in 30
days (76.5K words). The story just flowed from the pen...er, the keyboard. Of
course, editing it into something readable took a year, but that’s not too bad
for a part-time author. The story was a joy to write and is still Jeannie’s
favorite.
For Maria was a different story, literally. It
took about a year and a half to complete a satisfactory first draft. The
research time and emotional investment from the historical subject matter contributed
to that sometimes heartbreaking journey. A few times I had to step away from
the manuscript for a couple of weeks just to clear my mind.
It sounds like it was emotionally exhausting.
Please tell us about the main character in this story and what you love about her.
I suppose Madeline would be the main-main character, as
she is central in both books. She’s a spunky redhead who tends to stick her
foot in her mouth more often than chocolate—which is saying something. I
absolutely love her for both her foibles and her strengths; in short, her humanity.
If Katia were to be made into a
movie—a suggestion more than one reader has made to me—think of Amy Adams. I
can think of no other.
The other main character in Katia is the title character. She’s a 60-year-old matron; stoic,
formal, and very set in her ways. I love her for her heart, her faith, and her grit
in the face of what life has dealt her. The change both she and Maddy undergo
during their association is heartwarming and humorous, but not without its
missteps. I’m less sure who would play Katia on the big screen (Meryl Streep,
perhaps, or Vanessa Redgrave?).
I would be remiss to leave out the other main character
in Katia, Oskar. A more lovable
character you’ll never meet, if I may say so. Quiet, unassuming, and harboring
a painful secret that threatens his whole existence—a secret the impetuous
Maddy wrestles from him, and then has no idea what to do with. For Oskar’s
part, think of Ernest Borgnine 30 years ago.
Awesome! You have definitely helped us imagine
what your characters are like with your examples. Now it’s time to tell us
something about the real you that we’ll never forget.
Oh my.
Compared to my characters, I’m quite forgettable. I do have fun with my writing
though, being mostly a seat-of-the-pants writer. If the characters don’t chime
in, the story doesn’t get written. I love the first (and last) lines from the
movie Miss Potter, in which Rene
Zellweger, as the title character Beatrix Potter utters, “There's something
delicious about writing those first few words of a story. You can never quite
tell where they will take you.” How
true!
You can see
more about me and my writing at www.brucejudisch.com and on
my FaceBook author page. Thanks again,
Linda, for the opportunity to reach out to your readers. It’s been fun!
Thank you, Bruce, for this wonderful
interview. I have enjoyed getting to know about your books and you. I hope my
readers will check out your books.